Sunsets Are Special, Even Though They’re Not

I have a colleague who makes it a point to watch every sunrise and sunset. I am in awe of her, but I’m also simultaneously troubled and resigned by how Herculean this feat feels, especially as an early riser who lives in a moderate climate. How hard is it to stop what you’re doing for 10-15 minutes at the beginning and end of each day and to look outside and enjoy the show that nature offers us every day?

Plenty hard.

It’s Fogust here in the Outer Richmond neighborhood in San Francisco. Sunsets and sunrises have been hard to come by. But yesterday afternoon, the skies cleared, and by evening, it was glorious. I haven’t been walking much recently, but I’ve lived in this neighborhood long enough to know that, when there’s a reprieve in the summertime dreariness, you take advantage.

At Eagles Point Overlook at the start of the trail at Lands End, there was a scattering of people taking it all in, clearly waiting for the sun to set. I wondered whether any of those folks were like my colleague, ritualistically waiting for nature to call it a day, or whether they, like me, had decided that this Monday evening was too beautiful to waste inside. I ambled along slowly, stopping often to photograph the rays of golden light wafting through the trees or to watch flocks and flocks of pelicans gliding along the Bay toward the ocean.

For the past month, the whales have been putting on a show along the coast, and I had hoped to take a peek just in case. But about two-thirds of the way there, I felt the sunset calling to me, and I decided to take a detour down the long set of stairs to Mile Rock Beach to watch nature’s clock wind down. There would be no whales there, although if I were lucky, I might catch a sea lion bobbing in the waves, checking out all the strange bipeds congregating on the shore.

I didn’t see any sea lions, but the pelicans kept coming. I felt grateful for how reliably these prehistoric birds flew along these shores in their graceful lines and V-formations, and I thought about how this wasn’t the case not so long ago. These wonderful birds never failed to mesmerize me.

Folks had gathered here too, waiting as the sky changed colors and the waves softly crashed onto the sand. I watched a group of friends amble up a large rock as the sun began to disappear. They watched in wonder, then marked the moment with some selfies.

Beyond the pelicans and a pair of oystercatchers foraging for their supper, the only other animals I saw were these other humans who had been drawn, like me, to watch this quiet spectacle. I enjoyed it. How primal it is to watch the sun go down. How easy and sad it is that we suppress this instinct.

Minority Report-Style Marketing by Warby Parker

Last weekend, I was walking around Berkeley with my partner, when she asked if we could pop into the Warby Parker store to look at glasses. I said sure. I mostly stood in a corner looking at my phone while she tried on some frames. Then we left.

Later that evening, I received this email:

I was shocked to see this. How did Warby Parker know I was there? And was this form of tracking legal?

I have never been in a Warby Parker retail store before. I certainly didn’t explicitly give any identifying information. I’m sure I’ve been on their website before, but I have never signed up for their newsletter, nor created an account. I know there are ways to surmise your email address via the web by cross-referencing cookies with opt-in marketing data. I also know that it’s possible for physical stores to passively track your mobile phone. So I can guess how this all might have happened technically. But I’m surprised that a well-known brand like Warby Parker is engaging in such sketchy practices.

I poked around the Internet to see if I could find other documented instances of this at Warby Parker or any other retail store, but I couldn’t really find anything. If you know of anything like this, I’d love to hear more.

Memory and Truth(iness)

My friend, Yangsze Choo, recently came out with her third book, The Fox Wife. It’s a murder mystery set in early 20th century northern China, and it’s got some mystical elements as well. It’s entertaining and immersive, and it’s been racking up awards.

Last month, she gave a talk in San Francisco about the book, and someone in the audience asked about her writing process. She explained that there are two kinds of writers: Those who outline, and those who just write. She is apparently one of the latter.

I am astounded by folks who write novel-length works this way. Her revelation reminded me of something I read 30 years ago about Victor Hugo and his thousand page plus classic, Les Misérables. Victor Hugo was normally a consummate reviser, except for when he wrote Les Misérables. He was so passionate about the political statement he was making, he ended up writing the massive tome cover-to-cover over the course of 20 years. This feat seemed so extraordinary to me that I’ve remembered it clearly for three decades and have thought about it many times.

Too bad I remembered this incorrectly.

Yangsze’s talk and my (what-I-thought-was-correct) memory of what Victor Hugo had done had inspired me to blog about a tension I often see in my work between planning and “going with the flow.” Under normal circumstances, I might have just mentioned the connection and let my thoughts flow from there without doing any additional work. However, I’m generally anal about sourcing, and I’ve also found writing difficult recently, so I decided to see if I could find my original source.

First, I searched the Internet. Nothing, not even a different source repeating the claim. I thought for a moment about where I could have read this. It was definitely in high school, and I didn’t have access to exotic sources back in the day, so it had to be something relatively accessible. Then I pounded my forehead. Of course! It was in the foreword of my copy of Les Misérables!

Fortunately, I still have my original tattered copy on my bookshelf, so I picked it up and started re-reading the foreword, which was written by Lee Fahnestock, one of the translators. According to Fahnestock, Hugo started writing this novel in 1845, then stopped after three years, only to pick it up again a dozen years later.

In 1860 he finally returned to Les Misérables, the book he had never expected to complete, and wrote through to the end. Then, in a move quite uncharacteristic of this writer who preferred to move forward rather than revise, he went back to insert many sections that brought the book into line with his liberalized views and perspectives gained offshore.

I’m not sure if I mis-remembered or mis-read this. Most likely the latter.

I’m realizing that I’m quite fond of reading the front-matter in books. Maybe it’s because, upon actually completing the book, writers understand more clearly what they want to say. Maybe it’s because I start many more books than I actually finish. In any case, I recently started reading Marc Hamer’s, How to Catch a Mole: Wisdom from a Life Lived in Nature, who writes in his Prologue:

I wonder about truth and what it is as I chase it around and play with it. Recollections rarely come in chronological order. Memory wanders in the darkness, and the harder I try to remember, the more it seems to dissolve in front of me and take a different direction. As soon as I start to examine a story with anything more intense than a sidelong glance, it shifts in reaction to the scrutiny, reconstructs itself and then changes again, like looking into a kaleidoscope: the colours are identical, their patterns slightly different every time, their detail constantly changes yet the picture remains true to itself

400 Species Observed on iNaturalist

For most of my life, whenever I went on a walk, I would feel a pang of regret about not being able to identify trees or plants. Today, I passed 400 species observed on iNaturalist, 402 to be exact. I find this miraculous given how nature-blind I was up until four years ago. The silver lining of the pandemic was that I ended up learning a lot about birds and native plants, and I am deeply grateful for that.

My 400th species was the Northern Rough-winged Swallow. I saw a bunch of them in a tree by the parking lot at San Joaquin Marsh Wildlife Sanctuary, a glorious treasure that’s hidden in plain sight in Irvine, California.

I knew that they were swallows from their flight pattern, but I had never seen a flock of swallows just chilling out in a tree before. I’m used to Tree and Cliff Swallows, both of which tend to flutter about constantly and frenetically. I used Merlin to identify the exact species, which iNaturalist later confirmed. Then I just stood there with my Dad, watching them in wonder, before finally walking into the marsh to continue congregating with some other feathered friends.

Many thanks to Travis Kriplean, who helped catalyze my deep dive into the world around me by sharing his own journey so generously and comprehensively. I started my iNaturalist account in the Fall of 2000 with Travis’s encouragement and also with great skepticism, as I didn’t quite understand how iNaturalist worked, and the interface felt… challenging. I was dipping my toes into a mushrooming curriculum that Travis had developed, and I thought I would use iNaturalist to document my findings. I didn’t realize the giant nature-related U-turn I was about to take thanks to a run-in with a big, beautiful, brown bird.

I also have to give a lot of credit to Dario Taraborelli, who unwittingly primed me for all of this. I met Dario 15 years ago through Wikimedia, but I had no idea how much of a birder he was until I started following him on the Site Formerly Known As Twitter. (He, like me, is now mostly on Instagram.) He often posted glorious photos of birds, a stark and welcome contrast to the rest of my feed back in the day. He also sang the praises of iNaturalist, so much so that I knew about them well before I attempted to use the app.

Strangely enough, I don’t think this deep dive into nature would have been possible without iNaturalist and social media in general (and Instagram in particular). It still boggles my mind that iNaturalist’s interface manages to facilitate any kind of community, but it’s how I met Marisol Villareal, whose encouragement and engagement on Instagram helped me feel like I was a card-carrying member of a state-wide fan club, even though I’m still largely clueless. It’s how my friends, Jon and Linzy, met Rudy Wallen, an unassuming and generous nature savant, who also happens to live on our side of town. For all of the terrible that social media has wrought onto all of us, this is a great example of what social media can do when it works.

We Should Not Give Up the Game

From Howard Zinn’s, A Power Governments Cannot Suppress (2006), via today’s newsletter from Odin Zackman’s DIG IN:

I am totally confident not that the world will get better, but that we should not give up the game before all the cards have been played. The metaphor is deliberate; life is a gamble. Not to play is to foreclose any chance of winning.

To play, to act, is to create at least a possibility of changing the world.