Relentlessly Doing Your Job

As painful as it is for me to write anything laudatory about the Boston Celtics, they are a very good, well-coached team. The common refrain, given that they’re missing their best two players, is that they have been performing above expectations. However, that may be unfair, as Zach Lowe’s article, “Brad Stevens and the Celtics have a special brand of toughness,” explains.

Brad Stevens, Boston’s brilliant coach, cited the following definition of “toughness”:

Toughness is being able to physically and emotionally perform your task through any condition.

and added (emphasis mine):

If things are going really well in a home game, do you get caught up in that, or do you keep playing the right way? If things are going like they were in the second quarter last night [when the Sixers went on a run], do you say, “I have a job to do and I’m going to do it, and I don’t care that everyone is going nuts over this [Joel] Embiid dunk?” That is toughness. It sounds cliché, but the hardest thing to do is stay in the moment and do your job.

Lowe remarks:

This is a fierce team. No one is afraid to shoot, or venture outside his proven skill set — something almost everyone has had to do since [Kyrie] Irving’s knee surgery. They give maximum effort every second. It is a focused effort; they rarely veer out of scheme.

Gather enough tough players and it can have an exponential effect on a team’s collective toughness. They inspire each other to more intense fury. They hold everyone accountable; even brief moments of lethargy and weakness are unacceptable. Wyc Grousbeck, the team’s owner, compares them to a crew team rowing together: They feel when one guy is giving only 90 percent, and either push him harder or eventually replace him. “This is my favorite Celtics team ever, in terms of energy, camaraderie and underdog spirit,” Grousbeck said.

[Danny] Ainge picks the players, but Stevens is the arbiter of playing time. The (deserved) fawning over his stoic demeanor and play-calling genius has obscured another fundamental truth: Stevens is something of an old-school hard-ass. “If guys aren’t doing their jobs,” [Al] Horford said, “they just won’t play.”

Kevin Durant makes a similar point in Baxter Holmes’s article about the Golden State Warriors, “When The Dubs Hit The Turbo Button”:

That’s what is tough about the NBA — to focus every possession. That’s hard as s— to do. It’s not the physical part. It’s not making 3s. It’s not how many sets can we run, how many dunks can we get. It’s about staying focused every play.

I’ve written before (in a non-sports context) about the importance of constant striving and execution (versus strategy) to high-performance. It’s a theme that seems to come up over and over and over again in sports as well.

Here are more gems from Lowe’s article on Brad Stevens’s leadership style and the culture he’s created in Boston.

On communication:

In Boston’s seventh game of the season, Shane Larkin failed to pursue a loose ball along the left sideline. Stevens removed Larkin at the next stoppage. He didn’t play again until garbage time. “I learned right away,” Larkin said. “If you don’t get a 50-50 ball, you are coming out.”

Stevens didn’t upbraid Larkin. He approached him calmly and told Larkin why he had been taken out. In evaluating players, both during games and in film sessions, Stevens is careful with language, according to coaches, players and team higher-ups. He focuses on actions: We didn’t get this rebound. You should have made this rotation earlier. The criticism is never about the player’s character. No one is labeled lazy or stupid or selfish. Stevens simply describes what did or did not happen, and what should happen next time.

That has gone a long way in securing buy-in, players say. They feel Stevens is with them, even as he holds them — and himself — to almost impossible standards. That is a hard balance to strike. It is not a show, either.

On accountability:

After losses, Stevens often approaches Ainge and apologizes for “blowing it,” Ainge said. “He is always saying that,” Ainge said. “Honestly, it’s kind of like listening to players blame themselves. He’s like a player. He never whines about the players, just himself.”

Even private kvetching about players among coaches and front-office staff can undo a team. Rumors start. Factions develop. That hasn’t happened in Boston.

On culture:

There are no bells and whistles to Boston’s culture. They don’t regularly host famous guest speakers or take field trips. They’ll organize occasional team dinners, but there are no ritualistic, hours-long nights of wine, food and storytelling. Stevens, Ainge and the veteran players have created an environment of serious, hard, consistent work.

Stevens essentially has banned rookie hazing. He wants rookies to take as much ownership of the team as the stars — and to voice their opinions. (This is the same reason Stevens declines to name captains.) Pranks waste time. He was not thrilled last season when culprits unknown filled Brown’s car with popcorn. “Oh, Brad was not happy,” Brown said. “He had my back.”

“I’m kinda glad,” Tatum said of the hazing restrictions. “I don’t want popcorn in my car. I would flip.”

Today’s Notes from the World of Sports

Greg Maddux was voted into the Baseball Hall of Fame today. His former teammate, John Smoltz, had this to say about him:

He was the smartest player I ever played with. We used to call him Hoover, because he would suck you into an argument and he would always win. He would always win because he had a reason for everything. Sometimes I thought it was just Greg being Greg and making some stuff up. But he had a reason for everything.

This, to me, is the essence of craft. Always have a reason, even if it turns out to be wrong.

Here’s a story about the great Bill Russell speaking to the Seattle Seahawks before a recent game, as related by cornerback, Byron Maxwell:

He was like, the night before the playoffs, everyone would ask him, “Are you nervous?” And he’s like, “No. I’m not playing Bill Russell and the Celtics.”

Pure badass.

Technique, Practice, and Craft

Last week, Sports Illustrated published an article about Georgetown’s basketball program and its coach, John Thompson III. Georgetown has a long tradition of producing skilled big men, starting with Thompson’s father in the 1970s and 1980s. And while Thompson has continued that tradition, he’s gained a reputation for something different:

Much has been made about the Princeton-style offense that Georgetown runs under Thompson, about how difficult it is to defend and prepare for. But what is unique about Georgetown’s system has little to do with anything that is written in a playbook. Everything the Hoyas do offensively is based on reading the defense and reacting to those reads. Most systems involve a player being told something along the lines of: cut here, run off of that screen there, set a pick for him and roll to the basket, lather, rinse, repeat.

Georgetown’s theory is different.

Thompson doesn’t tell his team what to do on any given play. He doesn’t give them specific instructions, rather he teaches them, from the day they set foot on campus, how to make that decision for themselves based off of what they see on the floor in front of them. In his words, “the ability to just be a basketball player is something that we stress. Don’t be a position.”

And that is the most difficult point to get across.

“A lot of freshmen want to be told specifically what to do,” he said. “The difficult part becomes understanding that they have to make the read, because they’re so used to being told where to run in the play next.

“It’s new for most players to have to make reads and have to make decisions based on how they’re being played and how the defense is set. But once you grasp that way of thinking, I think it is very simple.”

I’ve loved basketball my whole life, but I’ve never played it competitively. So I’m intrigued by what this actually means in practice. I totally agree with it in theory. However, before you can learn how to make your own decisions, sometimes you have to learn things by rote.

I recently heard chef extraordinaire Jacques Pepin on the radio talking about cooking, and he gave a wonderful definition of technique:

For me, technique is very important. Technique is really a repetition, repetition, endless repetition of a certain movement, whether you use a knife or whatever, so it becomes so engrained, so part of yourself that you can afford to forget it, because it’s there forever.

You learn a certain movement, a certain reaction over and over and over again until, as Pepin said, “you can afford to forget it, because it’s there forever.” That, to me, is the essence of craft, whether it’s sports, cooking, or my own craft of collaboration. Learning certain things by rote ultimately gives you the freedom to express yourself.

After a recent playoff game, Boston Celtics coach Doc Rivers had this to say about his point guard, Rajon Rondo:

“He’s got to be in attack,” Rivers said. “I thought the second quarter he was attacking and attacking. I thought he was reading a lot instead of playing on instincts. I think sometimes his IQ hurts him at times. He’s trying to read the defense, but you can’t read and play with speed at the same time.

“We go through it a lot — at least Rondo and I — about, ‘Rondo, just trust your instincts. Your speed has to be part of it. Your instincts will take over. You’ll make the right decision.'”

Doing any craft well is all about trusting your instincts. You get those instincts by doing your thinking in practice rather than in the moment.